Friday, 31 March 2017

Blooms

Working on some elements for pieces for "Underpinning".

Monday, 27 March 2017

Underpinning



                
I bought this old hand held roller printer at the antiques market. Still have to renovate the inking roller. Trying it out with an ordinary ink pad. Would like to use it in my hand made books.

Monday, 20 March 2017

flowers


Carolyn is thinking about Bath in Bloom and is making flowers. This tiny one sits in a thimble.

Saturday, 28 January 2017

Underpinning

Linda Babb  March 17
A couple of images of my recent work which will feature in my exhibition at Hobbs House Bakery Cafe from April 10th to May 20th. Further details in the Select Festival brochure which has just come out.


Stephanie Wooster, March 17
The sandblasting and stitching are developing in tandem to each other, I have also been taken by the effect of the sandblasting on the bubble wrap used to protect the inside of a vase, the delicate lace effect can be seen at the bottom the second picture, I have started to stitch this onto tissue-paper. To complete the mixture of processes I am knitting a variety of textures with a selection of yarns, I am enjoying this mixture and the fun of not knowing where it will end.


Stephanie Wooster March 2017

January is always a time of reflection for me. Reviewing the year gone and looking towards the work to come. I have been considering the importance of textures, touch and materials in my work. I really enjoyed collaborating with the amazing ceramicist Sara Parsons and was keen to continue. Here are the photos of work so far.
collaborative work of Stephanie Wooster and Sara Parsons

electrical tape and mark-making with liquid latex getting a plate ready for the sandblaster

after the sandblaster, glaze and clay

bone china plate, sandblasted to the point of destruction. Next step....
Stephanie Wooster. February 2017.

All beginning work for 'Underpinning' our September exhibition in Bath,
Corinne working in her sketchbook.




Liz is thinking about stitch as the 'underpinning' of her practice










Tuesday, 24 January 2017

Monday, 14 November 2016

West Country Quilt and Textile Show.

 The Brunel Broderers stand at the West Country Quilt and Textile Show.
 Linda Babb's work.
 Liz Harding's work.
Liz Hewitt's work.

Thursday, 13 October 2016

Holiday in Devon



collecting seaweeds and mono printing with them., Lovely walks on the beach, 

Wednesday, 12 October 2016

West Country Quilt and Textile Show.

Come and see us at the West Country Quilt and Textile Show. Fri 11th, Sat 12th and Sun 13th Nov. Exhibition Centre, University of the West of England, Filton, Bristol BS34 8QZ. It is well signed from the M32. We will be on stand G14/15. I am giving a 2 hour workshop on stitches Sunday morning. (See my blog on the side bar for more details.) The Brunel Broderers will be demonstrating and talking to visitors every day. Come along and say hello!

Tuesday, 13 September 2016

Seed pods- work in progress



This is my new work for Autumn- seed pods- all work in progress. I will be on holiday for the next B. B. meeting so have a good one!

Monday, 22 August 2016

workshop

Yesterday five Broderers held a most enjoyable and stimulating workshop, led by Carla, exploring some of the design ideas that can be used to underpin our textile practice.








We were also given a 30cm. square box frame with the intention that it should be used in some way to from the basis for a piece of work for our next exhibition, 'Underpinning' at 44AD in Bath next year.

Thursday, 28 July 2016

Wild flower s- Field Scabious.


I am starting a new sketchbook with some wild flower drawings. Field Scabious.

Tuesday, 19 July 2016

memories of Newark Park

Taking down the work at Newark Park it was a sad day to be leaving the wonderful National Trust property. Many thanks to all the wonderful people who work and volunteer there. It was such an inspiring place and I was fascinated to see how my work changed and now I am back home with my work I'm re-evaluating the pieces I've made to look at developing them more. The wear of daily life is still central to the work and I'm wondering if I should place them outside again now I know what the weather does to the fibers. The second idea is to re-structure them to make objects. Or possibly both...